-The works by Annie Lapin drew my attention because of their ability to play with negative and positive space. I see some type of water form in the lower left corner but then all the sudden the same relative colors are forming a figure. What is more, the figure is recognizable even though it has been almost completely abstracted. I am also intreged by the patterning that the artist uses. The brush work feels as if it is done quickly and swiftly. This gives more energy to the piece.
Annie Lapin |
Annie Lapin |
Annie Lapin |
Clark Goolsby |
Dean Monogenis |
Dean Monogenis |
Dean Monogenis |
Dean Monogenis |
Dean Monogenis |
Dean Monogenis |
-Sadovsky's work remins me of a lot of the work I have recently been looking at. At the moment I'm not sure what to say about her wok. I think her colors are sort of interesting in that they are very illustrative. I love all the overlying of pattern. I should come back to this when I figure out what intests me so much by her work. Look her name up on google to see more of her work.
Ella Amitay Sadovsky |
Ella Amitay Sadovsky |
Ella Amitay Sadovsky |
Hugo Lugo |
Hugo Lugo |
Ian Francis |
Ian Francis |
Ian Francis |
James Jean |
James Jean |
Jung Yeon |
Jung Yeon |
Jung Yeon |
Justin Lee Williams |
Kerry James Marshall |
Lisa Sanditz |
Justin Lee Williams |
Nicholas Bohac |
Raul Oprea Saddo |
Scott Waters |
Scott Waters |
Scott Waters |
Scott Waters |
-Seth Armstong, I stopped to look at your works because they are technically impressive. What is with the woman looking like they just got assaulted though?
Seth Armstrong |
Seth Armstrong |
-Kim is amazing when it comes to giving the viewer just enough information to understand what is going on but still leave space in the image. Also the artist is mastering space and the play between negative and possitive.
Steve Kim |
Steve Kim |
Yoshiko Fukushima |
Yoshiko Fukushima |
Yoshiko Fukushima |
Yoshiko Fukushima |
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